The final moments of rapper King Von, born Dayvon Bennett, unfolded in a stark hospital corridor, just doors away from the man accused of firing the fatal shots. Newly surfaced body camera footage, released by the YouTube channel Calvenny, captures the raw, chaotic aftermath of the November 2020 Atlanta shootout. The video shows Timothy Leeks, known as Lul Tim, handcuffed to his hospital bed, his legs riddled with gunshot wounds, while officers matter-of-factly inform him that the man he allegedly confronted is dead in the next room.
The chilling revelation that the two adversaries were treated in adjacent trauma bays underscores the brutal, intimate consequences of the street violence that has now reverberated through a federal courtroom.
The footage begins with a Georgia Bureau of Investigation agent entering Lul Tim’s room, tasked with securing the wounded suspect. The officer’s tone is clinical, almost detached, as he explains the procedural necessity of the handcuffs. “I don’t know what’s all going on, but apparently you’re in custody,” the officer states, while Lul Tim lies motionless, his focus seemingly on the pain radiating from his lower body.
The officer then drops the bombshell: “The gentleman in here is deceased. His name is King Vaughn.” The revelation hangs in the sterile air, a stark juxtaposition of survival and mortality.
For Lul Tim, the immediate future is a hospital bed and a murder charge; for King Von, it is a body bag and a legacy of violence.
The video’s release has ignited a firestorm of commentary, with many noting the grim symmetry of the situation. The two men, who moments earlier had been engaged in a deadly physical altercation outside an Atlanta hookah lounge, were transported to the same medical facility. The officer’s body camera inadvertently captures the layout, with one patient in Trauma 6 and the other in Trauma 7.
This proximity transforms the hospital from a place of healing into a theater of tragic irony. The same building that housed the victim’s final breaths also cradled the accused’s recovery, a fact that has not been lost on observers who draw parallels to other infamous historical coincidences.
The context of the shooting is a tangled web of rap rivalries and street allegiances. King Von, a rising star from Chicago’s O’Block neighborhood, was embroiled in a long-simmering feud with rapper Quando Rondo and his affiliates. The altercation that night, captured on surveillance video, showed Von physically attacking Lul Tim, who was part of Rondo’s entourage.
The fight escalated rapidly, and gunfire erupted. In the chaos, Lul Tim was struck three times in the legs, while Von was hit multiple times. The official narrative, later supported by court testimony, alleges that a police officer fired the fatal shot that killed Von, though Lul Tim was charged with murder and aggravated assault, a charge that was later dropped.
The body cam footage also reveals the immediate aftermath for other key figures. 100K Track, Von’s manager, was also shot in the leg during the melee. His interview with investigators, also captured on the released footage, shows a man in significant pain but maintaining a stoic, guarded demeanor.
He deflects questions about the shooters, claiming he was simply waiting for artists to arrive and had no problems with anyone. His refusal to cooperate, despite being wounded, highlights the code of silence that often permeates these circles. The video also shows another associate, Boss Top, being arrested at the scene, his face covered in the effects of pepper spray, his complaints about the chemical agent providing a stark contrast to the gunshot victims’ relative composure.
The release of these videos, which also include the full interrogation of Sean Gathight and other related footage, has provided an unprecedented, unfiltered look at the consequences of the lifestyle often glamorized in drill music. The reaction from the host of the video is one of somber reflection, emphasizing that this is the grim reality of street conflicts. He points out that while Lul Tim survived, he now faces a life defined by legal battles and the constant threat of retaliation.
Conversely, King Von’s life was extinguished in a matter of minutes, his last words reportedly a haunting question to his cousin: “Why’d you let them shoot me?” These two fates, separated by a thin hospital wall, encapsulate the binary outcome of such violence.
The footage has also reignited public interest in the ongoing federal trial of Durk Banks, known as Lil Durk, the prominent Chicago rapper who was King Von’s close friend and collaborator. Federal prosecutors have alleged that Durk orchestrated the retaliation for Von’s death, hiring individuals to travel to Los Angeles to target Quando Rondo. The trial, currently underway, has brought the events of that November night back into the national spotlight.
The newly released body cam footage is not just a historical artifact; it is a piece of evidence that provides context for the motivations and the deep-seated animosity that fueled a cycle of violence spanning multiple states and years.
The officer’s interaction with Lul Tim in the hospital is brief but loaded. The suspect, who had just been involved in a shootout that left one man dead and several others injured, offers little in the way of explanation. He simply confirms he was shot in the legs.
The officer, seemingly unaware of the full scope of the night’s events, proceeds with his task. This bureaucratic process—cuffing a bleeding man to a bed—serves as a stark symbol of the justice system’s immediate response. There is no time for reflection or mourning; the machinery of the law moves forward, processing the living while the dead are wheeled away.
The video’s release has also sparked a debate about the ethics of sharing such graphic and sensitive content. While the footage is a matter of public record, its dissemination raises questions about the dignity of the deceased and the trauma inflicted on families. The host of the video acknowledges this, stating he chose not to show the footage of Von being wheeled into the hospital, citing both ethical concerns and YouTube’s content policies.
However, the audio and the descriptions of the scene are enough to paint a vivid, heartbreaking picture. The beeping of hospital monitors, the hushed tones of medical staff, and the blunt pronouncement of death create an atmosphere of profound sadness.
As the video continues, the focus shifts to the broader implications of the night. The host notes that this single incident is the catalyst for the federal case against Lil Durk, which could result in a life sentence. The violence that began in a parking lot in Atlanta has now ensnared multiple lives, from the deceased to the incarcerated to those who are merely associated.
The footage serves as a reminder that the consequences of such actions are not isolated; they ripple outward, affecting families, communities, and the entire music industry. The glamour of the rap lifestyle is stripped away, replaced by the sterile reality of a hospital room and the cold steel of handcuffs.
The body cam footage also captures the immediate aftermath for the police officers on the scene. Their professional detachment is a necessary coping mechanism, but moments of humanity peek through. The officer who cuffs Lul Tim expresses a semblance of apology for the discomfort, while another officer in the hallway confirms the layout of the trauma units.
These interactions, while procedural, offer a glimpse into the emotional toll such incidents take on first responders. They are the ones who must deliver the news of death, who must secure the wounded, and who must piece together the chaotic narrative of a mass shooting.
The release of this footage by Calvenny, a channel with a relatively small following, has been described as a “goldmine” for true crime enthusiasts and hip-hop fans alike. The channel has been dropping a series of related videos, including interrogations and arrest footage, painting a comprehensive picture of the investigation. The timing of the release, coinciding with the Lil Durk trial, suggests a strategic effort to provide public context.
The videos offer a raw, unedited look at the events, free from the spin of media narratives or the sanitized versions often presented in court.
For Lul Tim, the road since that night has been fraught with legal peril. He was initially charged with murder, but those charges were dropped after a review of the evidence suggested the fatal shot may have come from an officer. However, he has faced other legal troubles, including a federal weapons charge.
His life, like many involved in this case, has been defined by the events of that single night. The hospital footage shows him at his most vulnerable, wounded and restrained, a stark contrast to the bravado often displayed in music videos and social media. It is a humbling image that underscores the physical and legal consequences of a life lived on the edge.
The video’s host concludes his reaction with a poignant message about the futility of such violence. He emphasizes that the hospital room is the final destination for many who choose this path, whether they are the victim or the accused. The fact that the two men were treated in adjacent rooms is a metaphor for the thin line between life and death, between freedom and incarceration.
The footage is not just a piece of crime history; it is a cautionary tale. It serves as a stark reminder that the bravado and posturing of street life often lead to a dead end, whether that is a morgue drawer or a prison cell.
