Ariana Grande looked deeply in love in a new photo showing her leaning in for a kiss with her boyfriend Dalton Gomez.

The 27-year-old pop superstar shared a series of behind-the-scenes photos to her Instagram on Friday, including shots from the video to her risqué new song 34+35.

The songstress had her eyes closed and her hands cradling her beau’s head in the photo of the two embracing.

Lovebirds: Ariana Grande, 27, posted a sweet photo of herself kissing her beau Dalton Gomez on Instagram Friday, along with behind-the-scenes photos from her 34+35 video

The blown-out image slathered the two in white light, but Ariana appeared to have on an off-the-shoulder top, and her voluminous brown locks were arranged in thicks wavers over her shoulders and held down with a brown headband.

Dalton had on a mask to protect against the spread of the novel coronavirus, though it was lowered below his mouth for the kiss.

Ariana didn’t bother to caption the post and simply let the photos speak for themselves.

The singer and actress was first seen making out with Dalton, an LA-based real estate agent, around Valentine’s Day, and she later confirmed their relationship in May.

The lovebirds have been quarantining together throughout the pandemic, and she’s shared glimpses of him on Instagram and in her Stuck With U video.

Homage: Other images were taken from the set of 34+35, including a photo of Ariana and her costars dressed as the fembots from Austin Powers

Scientists: Another polaroid photo showed her and the actor from earlier in the video in their white lab coats while in a laboratory filled with old computers

Talented crew: She was joined by the dancers Rim Taya Shawki, Mao Kawakami, Joya Jackson and Darrion Gallegos

Other images were taken from the set of 34+35, including a photo of Ariana and her costars dressed as the fembots from Austin Powers in pink slips with feathered busts and hems and huge 1960s-style beehive hairdos.

Another polaroid photo showed her and the actor from earlier in the video in their white lab coats while in a laboratory filled with old computers.

She was joined by the dancers Rim Taya Shawki, Mao Kawakami, Joya Jackson and Darrion Gallegos.

A moodier photo featured them in beige leotards while reclining on a stage illuminate with polka dots.

Mastermind: Ariana beamed in another photo of her hugging and posing with Director X (real name: Julien Lutz), who directed the video from her new album Positions

Ariana beamed in another photo of her hugging and posing with Director X (real name: Julien Lutz), who directed the video from her new album Positions.

A final snap showed the singer and actress in black and white, with the slate about to be snapped to start a new take.

Later on Friday, the Thank U, Next singer posted two more selfies that appeared to have been taken with a car’s visor mirror.

She showed off her impeccably made-up face and as she gazed off the side while wearing prominent pearl earrings.

Intimate: Later on Friday, the Thank U, Next singer posted two more selfies that appeared to have been taken with a car’s visor mirror

Ariana’s newest single features plenty of mature lines, including: ‘Can you stay up all night? / F*** me ’til the daylight / Thirty-four, thirty-five (Yeah, yeah, yeah, yeah).’

In addition to the Austin Powers fembots, the video pays tribute to 1950s and ’60s science fiction with its laboratory setting and mainframe computers.

There’s also an allusion to Fritz Lang’s revolutionary 1927 silent film Metropolis, as Ariana’s robot doppelgänger is brought to life in a similar manner as the film’s iconic android.

Ariana celebrated earlier this month as Positions, her sixth studio album, made its debut atop the Billboard 200 albums chart.

The lead single, also named positions, similar debuted at number one on the Billboard Hot 100 chart.

Risqué: Ariana’s newest single features plenty of mature lines, including: ‘Can you stay up all night? / F*** me ’til the daylight / Thirty-four, thirty-five (Yeah, yeah, yeah, yeah)’

Matching: Ariana’s robot doppelgänger is brought to life in a similar manner as the film’s iconic android

Source:https://www.dailymail.co.uk