He also paid respect to Dr.Dre who he knows from the old times of Death Row and with whom he worked on “Straight Outta Compton”.

When Dre and I started making the Straight Outta Compton record, every day on our way to the studio, we would listen to the It Takes A Nation album. Not every other day, not once a week. For three months, it was every fu**ing morning. Every fu**ing morning we’re listening to different songs off that record. That’s why the Straight Outta Compton drums drove so hard and it had that feeling like you were in the riot itself. What Chuck and them was doing back then is what N.W.A came from. Not the N.W.A before I got here, but the N.W.A after I got here. There’s a distinct difference. If you listen to the art, you can tell. Dre is just one of those unique producers that create the scene within the art for you to create to. I’ve always said that Dre is more like a film producer than a music producer because he sees the complete picture before we do. The guy is just a sick fu**ing maniac. One of, if not the dopest of all time.