As The Boys show-runner Eric Kripke and his team have created a diverse and stereotype-breaking character, others in the industry are incorporating more diversity in their shows and movies – and this year has certainly propelled the need for accurate representation. “There have been more conversations about representation this year than any other year, which brings hope in progress. Let’s move past the ‘token’ mentality,” Fukuhara affirms. “Our representation in the media is heavily disproportionate to the empirical data. I think we must continuously ask ourselves, ‘Is what we are creating true and authentic? Does it reflect the world we live in? If you are someone that is benefiting from privilege, are you willing to become an ally and divest your privilege to take concrete action for diversity?’”

As a talented voice actress (e.g., Kipo and the Age of Wonderbeasts, She-Ra and the Princesses of Power, Craig of the Creek, etc.), especially when it comes to children’s shows, Fukuhara understands the importance of representation and the significance of seeing yourself reflected in the art and culture. “Seeing someone that looks like you, embarking on doom-filled adventures only to emerge triumphant – that inspires children to be cognizant of their limitless potential,” she says, referring to Kipo and the Age of Wonderbeasts, whose creator was Radford Sechrist and show-runner was Bill Wolkoff, that has come to an end in October. “Not being able to see Rad, Bill, or the DreamWorks family is sad. I’ll miss Kipo’s contagious, uplifting energy – it allowed me to be completely free in the sound booth! 2020 has taught me never to take time for granted.”

.

.